Semi-abstract autoportrait of the artist on canvas with simple graphite lines.

Bio

Mercankaya develops surfaces through repetition, accumulation, and interaction with material resistance. Lines respond to bodily movement, emotional intensity, and the forces inherent in the surface, producing works that function as records of process rather than planned compositions. Her series investigate line as a topographic system, tracing tension, flow, and structural relationships across space.

Statement

Based on the principles of “field notes,” Mercankaya works with various media ranging from hydrofluidic ink to acrylics. She begins by establishing an organic foundation through the unpredictable movement of water or the spontaneous stroke of a silicone wedge.

Subsequent precise lines react to this chaotic framework. Her work attempts to measure the unpredictable, bridge cracks, and navigate paths through instability. This interplay results in abstract topographies that serve as mappings of internal and external landscapes.

In-process photograph of the Strait, showing fluid indigo washes on the cotton rag with the messy background.

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